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21

mutual employer folded, she lined up work as the official

staff photographer for Vice President Al Gore. Later, she

would enjoy unprecedented access to the Obama family.

Though her political work kept the couple in the Wash-

ington, D.C., area for eight years, eventually they moved

down the coast

to Sullivan’s

Island. A native

of Georgia,

Shell attended

the College of

Charleston.

“We were

returning home

for her as much

as it was a new

home for me,”

Musi explained.

“I’m only al-

lowed to live

south of the

Mason-Dixon

line because of

her.”

Musi began

contributing

photographs

to

National

Geographic

dur-

ing the family’s

time in the

D.C. area. His

topics tended

to be human or man-made. He photographed life under

a volcano in the West Indies, along historic Route 66,

across the Texas Hill Country and at an archaeologi-

cal site in Turkey. Over an eight-year period, starting

in 2006, when he was actually in-country and in-town,

Musi worked south of Charleston, on a spread celebrat-

ing the beauty of South Carolina’s ACE Basin. That

spread would finally be published in the November 2014

edition of

National Geographic,

and, that autumn, Musi

presented an exhibit of the project’s fruits at the Charles-

ton Library Society downtown.

Musi’s own photography heroes include people such

as Stan Grossfeld, the two-time Pulitzer Prize-winning

photographer for

The Boston Globe,

who “uses photogra-

phy to affect people’s lives” and “tells stories of people in

need.” However, For several years, Musi’s own work for

National Geographic has focused primarily on animal

portraits.

Animals can make difficult subjects, and they weren’t

in Musi’s comfort zone, but

National Geographic

has a

long history of animal photography. Musi soon found

himself taking pictures of chimps, fish and hedgehogs for

one of the world’s most well-known magazines.

“The idea was eye contact. I was going to be the An-

nie Leibowitz of animal photography,” he joked in his

2014 TEDx talk.

But his first efforts met with disaster, until Musi liter-

ally learned to talk to the animals.

“I found my inner Dr. Doolittle,” he explained.

Today, when not away on assignment, Musi is most

likely to show up at High Thyme, his favorite island

haunt. But his work will continue to be elsewhere.

“I wish things were different,” he said, “but I’m not

able to work much in the Lowcountry. Even so, the land-

scape and people have been a great inspiration.”

Young J.D. Cate takes a break following an early morning duck hunt with his father and the family’s retriever, Henry.

Hunting waterfowl and other game is a cherished tradition in the ACE Basin, spanning generations and

spurring conservation efforts. South Carolina’s ACE Basin is one of the largest undeveloped estuaries on the East

Coast. This photograph was part of long-term essay on the region originally published in

National Geographic.

Photo by Vincent J. Musi.